History: Bagua Zhang, the eight-diagram palm, is one of the most popular schools in China. There are different stories about the origin of this school of boxing. Some say it originated among the anti-Qing dynasty cliques, while others believe that it was created by two Taoist priests of Bi Yun and Jing Yun on Mt. Emei in Sichuan province during the late Ming, and has been past down to its ninth generation of practitioners.
There are many schools of Bagua such as Youshen Bagua, Longxing Bagua, and Yinyang Bapan Zhang. The original set was called Xian Tian Bagua Zhang, also referred to a "Old Bagua". In time, new variations emerged from the original. Many Bagua Zhang boxers are found in Hebei province, and over the years various routines were cultivated into different styles of Bagua, including the Dong-Haichuan style Bagua Zhang, the Li Zhenqing style of Bagua Zhang and the Tian Ruhong style of Bagua Zhang. The eight-diagram palm is based on the old Chinese philosophy of eight combinations of three whole and unbroken lines used in divination. While practicing, one moves according to the eight diagrams. There are eight basic palm plays, and a total of 64 palm moves have come from these original palm moves. Besides solo practice, there was also sparring and fighting with weapons such as Bagua sword play, Bagua sabre play and Bagua cudgel play, etc. It is said that Bagua when moving, "is like a roaming dragon; when squatting it is like a sitting tiger; when looking around it is like a monkey on the lookout; when roving it is like a circling eagle."
The creation of Baguazhang, as a formalised martial art, is attributed to Dong Haichuan (董海川) in the early 19th century, who apparently learned from Taoist, and possibly Buddhist, masters in the mountains of rural China. There is evidence to suggest a synthesis of several pre-existing martial arts taught and practiced in the region in which he lived, combined with Taoist circle walking. Dong Haichuan taught for many years in Beijing, eventually earning patronage by the Imperial court.
Famous disciples of Dong to become teachers were Yin Fu (尹福), Cheng Tinghua (程廷華), Song Changrong (宋長榮), Liu Fengchun (劉鳳春), Ma Weiqi (馬維棋), Liang Zhenpu(梁 振蒲) and Liu Dekuan (刘德宽). Although they were all students of the same teacher, their methods of training and expressions of palm techniques differed. The Cheng and Liu styles are said to specialize in "Pushing" the palms, Yin style is known for "Threading" the palms, Song's followers practice "Plum Flower" (梅花 Mei Hua) palm technique and Ma style palms are known as "Hammers." Some of Dong Haichuan's students, including Cheng Tinghua, participated in the Boxer Rebellion. In general, most Bagua practitioners practice either the Yin (尹), Cheng (程), or Liang (梁) styles of Baguazhang, although Fan (樊), Shi (史), Liu (劉), Fu (傅), and other styles also exist. (The Liu style is a special case, in that it is rarely practiced alone, but as a complement to other styles.)
Of all of Dong Haichuan's students, Yin Fu studied with him the longest. Some practitioners of the Yin style say that Yin was the only disciple to learn both the entire Bagua fighting and healing systems of Dong Haichuan.
There are many schools of Bagua such as Youshen Bagua, Longxing Bagua, and Yinyang Bapan Zhang. The original set was called Xian Tian Bagua Zhang, also referred to a "Old Bagua". In time, new variations emerged from the original. Many Bagua Zhang boxers are found in Hebei province, and over the years various routines were cultivated into different styles of Bagua, including the Dong-Haichuan style Bagua Zhang, the Li Zhenqing style of Bagua Zhang and the Tian Ruhong style of Bagua Zhang. The eight-diagram palm is based on the old Chinese philosophy of eight combinations of three whole and unbroken lines used in divination. While practicing, one moves according to the eight diagrams. There are eight basic palm plays, and a total of 64 palm moves have come from these original palm moves. Besides solo practice, there was also sparring and fighting with weapons such as Bagua sword play, Bagua sabre play and Bagua cudgel play, etc. It is said that Bagua when moving, "is like a roaming dragon; when squatting it is like a sitting tiger; when looking around it is like a monkey on the lookout; when roving it is like a circling eagle."
The creation of Baguazhang, as a formalised martial art, is attributed to Dong Haichuan (董海川) in the early 19th century, who apparently learned from Taoist, and possibly Buddhist, masters in the mountains of rural China. There is evidence to suggest a synthesis of several pre-existing martial arts taught and practiced in the region in which he lived, combined with Taoist circle walking. Dong Haichuan taught for many years in Beijing, eventually earning patronage by the Imperial court.
Famous disciples of Dong to become teachers were Yin Fu (尹福), Cheng Tinghua (程廷華), Song Changrong (宋長榮), Liu Fengchun (劉鳳春), Ma Weiqi (馬維棋), Liang Zhenpu(梁 振蒲) and Liu Dekuan (刘德宽). Although they were all students of the same teacher, their methods of training and expressions of palm techniques differed. The Cheng and Liu styles are said to specialize in "Pushing" the palms, Yin style is known for "Threading" the palms, Song's followers practice "Plum Flower" (梅花 Mei Hua) palm technique and Ma style palms are known as "Hammers." Some of Dong Haichuan's students, including Cheng Tinghua, participated in the Boxer Rebellion. In general, most Bagua practitioners practice either the Yin (尹), Cheng (程), or Liang (梁) styles of Baguazhang, although Fan (樊), Shi (史), Liu (劉), Fu (傅), and other styles also exist. (The Liu style is a special case, in that it is rarely practiced alone, but as a complement to other styles.)
Of all of Dong Haichuan's students, Yin Fu studied with him the longest. Some practitioners of the Yin style say that Yin was the only disciple to learn both the entire Bagua fighting and healing systems of Dong Haichuan.
Sejarah: Bagua Zhang, delapan-diagram pohon palem, adalah salah satu sekolah yang paling populer di Cina.
Ada cerita berbeda tentang asal sekolah tinju ini.
Suatu suara itu berasal di antara kontra-klik-klik dinasti Qing, sedangkan orang lain percaya bahwa ditimbulkan oleh dua orang pendeta Taoist Bi Yun dan Jing Yun di Mt Emei di Sichuan provinsi selama Ming terlambat, dan sudah lewat bulu burung sampai pembangkitan kesembilannya praktisi.
Ada banyak sekolah Bagua seperti Youshen Bagua, Longxing Bagua, dan Yinyang Bapan Zhang.
Set asli dianggap Xian Tian Bagua Zhang, juga merujuk pada "Old Bagua".
Pada waktunya, variasi baru muncul dari yang asli.
Banyak petinju Bagua Zhang ditemukan di Hebei provinsi, dan dalam tahun-tahun berbagai rutinitas tertanam ke dalam berbeda gaya Bagua, memasukkan Dong-Haichuan gaya Bagua Zhang, gaya Li Zhenqing Bagua Zhang dan gaya Tian Ruhong Bagua Zhang.
Delapan-diagram pohon palem berdasarkan filsafat tua Cina sebanyak delapan kombinasi sebanyak tiga garis utuh dan tak putus-putus bekas di divination.
Sedangkan berlatih, satu berpindah menurut kedelapan diagram.
Ada delapan tapak, dan jumlah total sebanyak 64 langkah pohon palem sudah terdapat dari langkah tapak asli ini.
Selain latihan tunggal, di sana juga melawan dan berkelahi dengan senjata seperti Bagua pedang bermain, Bagua pedang bermain dan Bagua gada bermain, dll.
Dikatakan Bagua itu kalau berpindah, "seperti seekor naga mengembara; kalau berjongkok seperti seekor harimau duduk; kalau melihat-lihat dinya seperti seekor kera pada pengintai; kalau menjelajahinya seperti seburung elang berputar-putar."
Ciptaan Baguazhang, sebagai seni perang yang diresmikan, dipertalikan dengan Dong Haichuan (董海川) di yang awal ke-19 abad, yang rupanya belajar dari Taoist, dan mungkin Budha, menjagokan di
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